However, if you only want to affect the colors that are dull, to begin with instead of the entire image, then you should use the Vibrance slider. Dragged all the way to the right, Saturation can reach very intense colors. If dragged completely to the left you’ll lose all color and leave your image black and white. It has an impact on all the colors of your image so keep an eye on the entire image while you are applying it and not just on a detail or a zoomed-in portion. Saturation is the next slider on the list. Check the example below to have an illustration of how they work. Therefore, the Blacks slider sets the black point of the image and affects a wider tonal range than the one affected by shadows that refers to the darkest parts. In between those sliders you’ll find one called Shadows which together with Blacks works the same way as Highlights and Whites, but in the other side of the light scale. So if you move the white point of the image, it will have an effect on the range of the highlights. The Whites slider should have its name in the singular to make it more clear because what it does is set the white point of your image, in other words, the brightest pixels. The Highlights slider controls the tonal range from the lighter parts of your image, like this: ![]() Having said that, I’ll try to make it more clear. ![]() The names are actually quite accurate but somehow their use is still difficult to grasp. I’m doing this because they are closely related. Then there is the Highlights slider which I’ll explain together with another one, Whites. Here’s an example pushing both tools to the limit in either direction so you can see that even if they are related, the result is not the same. Note: Clarity is not an actual sharpening tool. I am mentioning it here because it also adds contrast but this is only to the mid-tones (technically it finds and enhances edges in the image), plus it gives a sharp/unsharp effect to the image. This is a tool I really like because it gives a nice punch to your photos but it’s easy to overdo it and having them look unnatural, so just be careful. This will flatten the image as there will be less tonal range in between dark and light tones in your image.Ī few sliders below Contrast you’ll find Clarity. ![]() Moving it to the left will decrease contrast, therefore a minus (-) sign appears. If you slide it to the right you will increase the contrast which is why a plus sign (+) will appear next to the amount. The next slider you’ll find is Contrast, this refers to the relationship between the lighter and darkest areas of your photo. Look at the example below to see how far you can push it in either direction. What this does influence the brightness of your entire image. This would be the equivalent of changing your shutter speed or f-stop settings up to five steps up or down. The first slider you will see is Exposure. Please note, that I’m not going to explain the tools in the order you’ll find them in the ACR panel because some of them are related to each other and therefore it’s clearer to explain them together regardless of their position. However, if you do so then you’re missing out on a lot of opportunities, most importantly its non-destructive qualities. Here you’ll see a lot of options that can look intimidating and give you the impulse to just click open and work directly on Photoshop. It will open it in a window known as Above Camera Raw (ACR). Whenever you open a RAW file in Photoshop it won’t open in the interface that would normally go to when opening a JPG or a TIF file. This quick introduction guide explores the basic tools of Adobe Camera Raw (ACR) so that you can step into post-processing this digital “negative” and understand its possibilities but also its limitations, as not all can be fixed. ![]() Adobe Camera Raw – Processing Raw Files in Photoshop This way you have more information to work with during your post-production stage.īut having too much of something can sometimes seem daunting when you don’t know how to approach it and as a result be a limiting factor instead of opening up your possibilities. Do you shoot RAW but then open it without processing? When you take a photo in RAW format, regardless of the name each brand gives to it, what you’re doing is saving a bunch of data without processing it inside your camera.
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